Inspired by the musings of '60s and '70s British folk bands such as Fairport Convention and Pentangle, McIlwee hunkered down in the Western Catskills and Abington Township in Pennsylvania, absorbing the scenery and trying to translate the beauty of his surroundings into an immersive experience. He began to expand the WPSE lore and fashion a more colorful and descriptive body of work–one where he still wears his heart on his sleeve, but now all of the longing and heartache exist in a vivid space that's strikingly real and otherworldly all at once.

The sound of Wicca Phase began to grow as well: never wanting the project to be defined by a genre, McIlwee worked closely with longtime collaborator Darcy Baylis, as well as newcomer Ben Greenberg, to continue to bring new styles and moods into WPSE. Looking to incorporate his love of EDM, trance, and house sounds, McIlwee and co. created an amalgam of '80s and '90s breakbeat style drums, modernistic 808s, shimmering synths, and washes of reverberating guitar and organic bass.