"The EP was made in my studio in London. A lot of the tunes, the Chord tracks in particular, were made with the idea jamming with euclidean rhythms triggered by my Pulsar sequencer. In some cases they’ve been layered to make polyrhythms, which is something I’m doing quite a lot at the moment. Nokia and Gameboy advance came about after recording their startup tones into a granular sampler and fucking with pitch, intensity and length. "