The sound of the Johannesburg-born, Doncaster-raised artist finally finding his voice – both literally and figuratively. In practical terms, that involved finding the courage to foreground his gravelly baritone in these gloriously genre-agnostic productions. But it also meant branching out beyond the safety net of his former label – Gilles Peterson's Brownswood Recordings – to figure out the artist he truly wanted to be. As Skinny puts it today, in his soft South Yorkshire drawl, "This album is what I would have created, first time round had I rated my own voice." Determined that the album shouldn’t sound like a band record, but equally mustn’t feel "too button push-y", Skinny assembled songs by sampling instrumentation originally recorded live, including chopped and looped versions of the brilliantly complex beats played by Malcolm Catto of The Heliocentrics. It was a painstaking process that paid off, resulting in an album fathoms ahead of its promising predecessor, and one that honestly reflects Skinny's creative evolution.