One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger, as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing -- still moments of freedom that reflect Satoh's connection to the avant-garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects.